Lux Prima is the debut album from Karen O & Danger Mouse

Following hot on the heels of 2018’s Sparkle Hard comes Groove Denied, the rejected album Stephen has been telling everyone about. Groove Denied was written in Berlin and Oregon between Malkmus’ soundtrack to the Netflix series Flaked and Sparkle Hard. It finds Stephen in a playful, exploratory mode – recorded by himself in Oregon; Malkmus plays bass, organ, drum machines, a Roland 2080 and a Memorymoog alongside other instruments interspersed with loops and vocal effects. His first album as a solo artist since 2001, Groove Denied is a fine companion to Sparkle Hard, echoing the experimentation (Auto-Tune, genre-dabbling) found there.

Named one of The New York Times’ Artists To Watch in 2019 and Billboard’s Hot Country Artists to Watch, Lauren Jenkins mesmerizes crowds with her sultry vocals and authentic songwriting. She blends her traditional Country roots with Americana influences to seamlessly transition between cheerful and raw emotions. The Texas native showcases her variety of musical influences, including the southern charm of Charleston, artistic vibe of New York City and the eclectic nature of Music City.

British/New Zealand musician, and lead singer and songwriter of The Veils, Finn Andrews reveals his most personal songwriting to date with the release of his first solo material. The resulting songs are some of the most profound and intimate pieces of work Andrews’ has done. Recorded at The Lab in Auckland, and co-produced by Tom Healy (Tiny Ruins), not only do the songs’ subject matter expose more of his life than before, Andrews also admits that their arrangements allowed for less to hide behind, showcasing his voice in a different way.

After spending the last six years making rock albums, Todd Snider is going back to folk. Cash Cabin Sessions, Vol. 3 was recorded at Cash Cabin in Hendersonville, TN. Snider wrote the set of songs and played all the instruments on the record, displaying his growth as a musician and vocalist. Of the five songs on which Snider serves up his humorous brand of socio-political commentary, three are performed in the talking blues style. He even had his friends, Jason Isbell and Amanda Shires, contribute backing vocals on a few of the tracks. If Snider is anything, he is a true artist, and he reminds us of that on Cash Cabin Sessions, Vol. 3. At a point in time when the world has never been more complicated and confusing, with people getting louder and louder, Snider did a 180, went back to his roots as a folksinger, to a simpler, quieter form of expression; and it might be what the world is waiting to hear; a man, his guitar, and the truth.

Stay Wild, the debut album from SONTALK, follows the personal trials and triumphs of Joseph LeMay, singer-songwriter and multi-instrumentalist behind SONTALK. By way of familial candor and visceral vulnerability, the twelve tracks comprising SONTALK's full-length debut album Stay Wild, chronicle LeMay's journey of self-reflection, discovery, acceptance and ultimately, growth. In 2016 LeMay met producer Jeremy Lutito (Chuck Berry, Colony House, Erin McCarley) and together they brought the vision of SONTALK to life recording Stay Wild along with engineer Logan Matheny at Big Light Studio in Nashville. LeMay imbues Stay Wild with moments of triumph and despair, tossing and turning between emotional extremes to create an openly honest dialogue with himself and listeners. The album is an expansion of the emotional terrain covered in his introductory EP, SONTALK: Act I, released last April. On Act I, the lead single (included on Stay Wild) "I Am A War Machine," through jagged textures and frenetic rhythms, LeMay invokes a voice on the verge of mental unraveling realizing his own volatility and gaining awareness. The lead offering from Stay Wild, "Baby, I m Gone" fuses a stark and soulful vocal to sinewy acoustic guitar and a glitchy beat, with LeMay's haunting voice echoing with powerful passion and plaintive poetry. I Am A Mountain follows the October release of "Baby, I'm Gone" and serves as a dynamic apex and bookend to the first half of Stay Wild. With a loping pace and persistent driving beat, it illustrates the tired longing of the narrator, building to a heartbreaking crescendo that mimics the fallout of a failing relationship. Elsewhere the album is grounded by LeMay's powerful vocals and a delicate dissonance of multifarious sonic textures that range from distorted slide guitar transmissions, sequenced beats, vinyl samples and warm electronics. The result is a deeply emotional journey into LeMay's life, offering a therapeutic and universal wisdom meant to be shared for a long time to come.

Gary Hoey will release his new blues album NEON HIGHWAY BLUES on March 15, 2019 on Provogue Records. Starting with 2013's DEJA BLUES and continuing with 2016's DUST & BONES, Hoey has tapped into his early musical influences and applied his own feral skills to take the format in a unique direction. He stays in the same lane on his latest endeavor, NEON HIGHWAY BLUES, steering its 11 tracks with the confidence and assuredness of a veteran and the freshness of someone who's still in the process of discovery and refinement -- with the help of famous friends such as Eric Gales, Lance Lopez, Josh Smith and Hoey's 17-year-old son Ian. "I really wanted to make sure this album had a lot of blues on it," says Hoey, who self-produced NEON HIGHWAY BLUES and recorded it at his home studio in New Hampshire. "It's funny because sometimes you can set out to do a blues record and halfway through you realize there's not actually that many blues songs. So I keep sticking to the blues and tried to get that to be a strong part of this record -- and still put some other songs there that the die-hard, long-time fans would like, some instrumentals and some rockin' stuff. There's definitely a variety here." Hoey is confident listeners will hear growth and stretches throughout NEON HIGHWAY BLUES. This album will take Hoey back on the highways and byways for plenty of touring and playing, well, the blues -- and more.

Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind. Spider-Man: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

On April 27 1978, after their self-titled debut album had spent a year in the US Top 20, rock's conquering heroes played a sold-out show at London's legendary music venue, the Rainbow Theatre. Opening with 'Long, Long Way From Home', the band's legion of fans were treated to a magnificent display of musicianship and performance, including local hit singles, 'Feels Like The First Time' and 'Cold As Ice', as well as an exclusive preview of two tracks from the upcoming 'Double Vision' album. Blu-Ray Edition.