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Armadillo Music

The Soft Moon was never intended for the public's ears, but you found it, were drawn in by its danger, and insisted that others hear. Oakland's Luis Vasquez began the project in order to better know his own self. He'd holed up in his apartment and let the tape roll, allowing gut and memory guide him. Those twin sherpas, however, led him to a place of darkness, claustrophobia and dread: a musical waste land moving to a Motorik tic, its edges made jagged in the image of early post-punk, swathed in the moody atmosphere of vintage darkwave.
The Soft Moon was never intended for the public's ears, but you found it, were drawn in by its danger, and insisted that others hear. Oakland's Luis Vasquez began the project in order to better know his own self. He'd holed up in his apartment and let the tape roll, allowing gut and memory guide him. Those twin sherpas, however, led him to a place of darkness, claustrophobia and dread: a musical waste land moving to a Motorik tic, its edges made jagged in the image of early post-punk, swathed in the moody atmosphere of vintage darkwave.
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The Soft Moon was never intended for the public's ears, but you found it, were drawn in by its danger, and insisted that others hear. Oakland's Luis Vasquez began the project in order to better know his own self. He'd holed up in his apartment and let the tape roll, allowing gut and memory guide him. Those twin sherpas, however, led him to a place of darkness, claustrophobia and dread: a musical waste land moving to a Motorik tic, its edges made jagged in the image of early post-punk, swathed in the moody atmosphere of vintage darkwave.
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