Armadillo Music

Ricco Saccani - Aida

Details

Format: CD
Catalog: 8554706
Rel. Date: 01/16/2001
UPC: 636943470626

Aida
Artist: Ricco Saccani
Format: CD
New: Orderable. Call (530) 758-8058 to check in-store availability $19.99
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Formats and Editions

DISC: 1

1. Prld
2. Act I: Se Quel Guerrier Io Fossi!...Celeste Aida
3. Act I: Ritorna Vincitor!...I Sacri Nomi Di Padre, D'amante
4. Act I: Dance Of The Priestesses
5. Act II: Dance Of The Moorish Slaves
6. Act II: Sul De Nilo Al Sacro Lido...Numi, Pieta Del Mio Martir
7. Act II: Gloria All' Egitto
8. Act II: Grand March
9. Act II: Ballet Music
10. Act II: Vieni, O Guerrero Vindice
11. Act III: Qui Radames Verra!...O Patria Mia
12. Act III: Ciel Mio Padre!...Su Dunque!
13. Act IV: L'Abborita Rivale A Me Sfuggia...Gia I Sacerdoti
14. Act IV: Die Mie Discolpe
15. Act IV: Morire! Ah, Tu Dei Vivere
16. Act IV: Chi Ti Salva, Sciagurato
17. Act IV: E La Morte Un Ben Supremo
18. Act IV: La Fatal Pietra...Morir! Si Pura E Bella
19. Act IV: O Terra, Addio; Addio Di Vale Di Pianto

Details:

Dragoni/johannson/dever/rucker
Saccani/natl so ireland

More Info:

Verdi wrote his Egyptian opera Aida in response to a commission from the Khedive of Egypt for the opening of the new Cairo Opera House, after rejecting requests for an anthem to celebrate the opening of the Suez Canal a year earlier. The first performance was conducted by the famous double-bass player Bottesini. Spectacle, of which some stage directors have made much, is provided particularly in the return of the victorious Radames in triumph. The story was the invention of the French egyptologist Auguste Mariette, elaborated in French prose by Camille Du Locle, before the final Italian text was drafted. Aida remains a popular part of Italian opera repertoire. Familiar concert excerpts from Aida inevitably include the tenor Celeste Aida (Heavenly Aida) and Aida's Ritorna vincitor (Return victorious). The grand march has celebrated many an unoperatic festivity and has allowed spectacular extravagance in more ostentatious productions of the opera. O patria mia (O my homeland) for Aida in the third act adds a particular poignancy, while the final death scene of Radames and Aida is also sometimes to be heard in dramatic isolation.
        
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